儒道音乐美学思想共同的理论基础——和

Unity——the Common Theoretical Bases of Confucianism and Daoism

"和"的音乐美学思想产生并形成于远古时期的巫术礼仪活动中。儒道两家分别发展了"和"的音乐美学思想,产生了共同的音乐审美理想"天人合一"。在两家音乐美学理论不断完善的过程中,儒家形成了"中和"的音乐美学范畴,道家形成了"虚淡"的音乐美学范畴。然而,不论是"中和"还是"虚淡",其理论内涵都是"和"。只有认识到这一点,才能深刻理解儒道两家音乐美学思想的互补融合。

Unity in music originated from the ancient time when the wizards hold their activities. Confucianism and Daoism develop this concept in music, to be a harmonious unity in music appreciation. In the course of development, Confucianism stresses ＂ eclecticism ＂ , while the Daoism emphasizes ＂ virtuality ＂ , but both of them connote the unity. So the two schools are mutually complementary.