摘要
1970年代末,朦胧诗以异端的呐喊给那个时代带来了难得的思想冲击力。朦胧诗的命名表达了当时诗歌的外在美学特征,暗示了当时诗歌创作环境的艰难,而且展示诗歌内容揭示了人内心的隐秘、直接指向心灵的品读的特质,命名在这些意义上很好地传达了它自身的涵义。但是当时代过往,朦胧本身的含混意指使得其之后的诗歌在某些方面难以逃越它的美学牢笼,成为新诗歌发展的桎梏。回到朦胧诗命名的现场,考察朦胧诗命名的内涵、直击命名活动本身,可以清晰地触摸诗歌发展的脉搏,有益于对当代诗歌发展的困境进行更好的思索和考量。
In the late 1970s,misty poetry exerted great impact on people's ideas of the age with unusual cry.The naming of misty poetry displayed the external esthetic features,and implied the hard environment of creation at that time.What's more,it also showed the traits that the contents of poetry could be directed at the mind to reflect the secret inner world of people.In these senses,the naming expressed itself well.However,as the time passed by,due to the ambiguous implication of the misty poetry,it is hard for the later poetry to break the bonds of the esthetic conventions in some aspects,which has restricted the development of new poetry creation.Back to the scene of naming misty poetry,inspecting the meaning of the naming and the naming activity itself,you are able to understand the poetry development clearly,which is beneficial to better consider and speculate on the plight of contemporary poetry development.
出处
《湖南人文科技学院学报》
2010年第6期53-56,共4页
Journal of Hunan University of Humanities,Science and Technology
关键词
朦胧诗
命名
意义
限度
misty poetry
naming
significance
limitation