摘要
诗歌"拒懂"书写主要体现在书写立场、诗情诗意、诗歌语言等方面。虽然由于诗歌文类的特殊,其书写的"拒懂"有相当程度的正当性,但是,诗歌书写的"拒懂"不是无限度的。因此,需要对诗歌"拒懂"书写加以美学辨析。中国新时期以来的不少先锋诗歌书写表征出了一定的"拒懂"性。一方面,这种"拒懂"书写有着特定的现实针对性,也有其当然的合理性和时效性。另一方面,作为一种"对抗"、"中断"性质的诗歌话语,不管是在书写立场、诗意内涵还是在语言运用上,这种"拒懂"书写也在事实上暴露出了诸多缺陷、病症。
The "refusal to understand" writing of poems reflects lots of aspects such as the writing position, poesy and language. It is proper to no small extent because the type of poems is special. However, the "refusal to understand" writing of poems is not unlimited. Therefore, it is necessary to differentiate and analyze the "refusal to understand" writing of poems aesthetically. Many pioneer poems exhibits particular of the "refusal to understand" in the New Period. On one hand, it exhibits specially the realistic pertinence and rationality. On the other hand, it exposes many defects and weaknesses in respect of the writing position, poesy and language because it is writing in "confrontation with each other" and "being cut off".
出处
《杭州师范大学学报(社会科学版)》
CSSCI
北大核心
2011年第2期82-88,共7页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
基金
2009年度教育部人文社科研究规划项目<中国当今消费文化的美学批判>(09YJA751027)的阶段性成果之一
关键词
“新时期”
先锋诗歌
“拒懂”
New Period
pioneer poetry
the "refusal to understand"