民歌配置方式的衍变和对整体音响及特殊音效的组织——配器的传统思维与现代语汇在陈怡《歌墟》中的运用

Evolution of Folk-Melodic Adaptation and Organization of Sonority:Artistries of Traditional and Contemporary Orchestration in Ge Xu by Chen Yi

本文通过对陈怡管弦乐曲《歌墟》在民间旋律的器乐化改编和配器思维与语汇的运用方面的分析,说明她是在尊重中国音乐传统中重视旋律表现的创作思维,遵循乐器法自然发声规律和传统配器法则基础上,发掘和发挥乐器最擅长的演奏手段,在保持原民间曲调的音乐表现特征基础上,改编而融入现代的无调性作曲技法和现代配器语汇,创作出有发展层次、色彩斑斓又浓淡各异的音响效果、完整而富有表现力、又有现代气息的器乐作品。

Through the analysis of Chen Yi＇s Ge Xu mainly on adaptation of folk melody and orchestration,the detailed techniques,the formal scheme and the actual sound effects on the combination of the Chinese tradition of melodic expression and the Western tradition of instrumentation and orchestration as well as contemporary languages are explored.