摘要
本文通过对现存的几部14世纪的常规复调弥撒套曲(尤其是14世纪杰出的法国作曲家马肖的《圣母弥撒》)的体裁特征的对比研究,论证了弥撒套曲这一重要体裁的产生及其体裁性确立的历史过程,并试图揭示其内在的文化成因与历史意义。
In this article,the author demonstrated the generation and the establishment history of mass cycle genre,and tried to reveal the cause of its inherent cultural formation and historical significance through comparative study of the genre features of several existing conventional 14th century polyphonic Mass cycle（especially the outstanding 14th century French composer Machaut＇s Notre Dame Mass）.
出处
《乐府新声（沈阳音乐学院学报）》
2011年第1期59-68,共10页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
