摘要
文章针对《松弦馆琴谱序》所体现出的严天池的原意,阐发了《松弦馆琴谱》未收入琴歌的目的在于作者的价值取向,而非一味地否定琴歌。并就严天池批判滥制琴歌的源流进行了考证,确定宋代的朱长文和郑樵是批判滥制琴歌的源头。
Based on Yan Tianchi＇s original idea expressed in ＂The Preface to Qin Score of Song-xian-guan＂,this paper expounds that the exclusion of qin songs from ＂Qin Score of Song-xian-guan＂ is the result of the author＇s values rather than his negation.The paper also makes the textual research into the origin of rough creation of qin songs and confirms that the criticism started from Zhu Changwen and Zheng Qiao of the Song Dynasty.
出处
《乐府新声（沈阳音乐学院学报）》
2011年第1期104-106,2,共3页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
天津市艺术规划类重点课题<中国琴歌发展史>研究之系列内容之一。课题号:A08032
关键词
松弦馆琴谱
琴歌
虞山派
诟病
Qin Score of Song-xian-guan/song accompanied by qin/yu-shan school/criticism
