摘要
布莱希特在戏剧上最大的创新是提出了"叙述体戏剧",旗帜鲜明地与此前延续了2000多年的亚里士多德的"戏剧性戏剧"传统相对抗,而"间离说"则是其戏剧理论的核心范畴。文章通过对"间离说"的分析,以期深化对布莱希特戏剧理论的认识。
The greatest innovation of Bertolt Brecht in drama is to put forward the theory of ＂narrative drama＂.It stands straight against Aristotle＇s ＂performing drama＂ theory which has lasted for more than 2000 years.The conception of ＂Verfremdung＂（Alienation） holds the central position in it.The paper intends to analyze the conception briefly so as to strengthen the perception to Brecht＇s dramatic theory.
出处
《黄石理工学院学报（人文社科版）》
2011年第1期47-51,共5页
Journal of Huangshi Institute of Technology:Humanities and Social Sciences
关键词
布莱希特
间离说
共鸣
创新
社会批判
Brecht
Verfremdung
resonance
innovation
social criticism
