公民伦理与革命伦理的“道德商谈”——从小说《官司》到电影《集结号》

Movie Politics in Post-Revolutionary Period:The Moral Discourse between the Public Ethics and the Revolutionary Ethics

与传统现实主义革命悲剧不同,中国当代作家杨金远的短篇小说《官司》(2002)与当代导演冯小刚执导的红色大片《集结号》(2007)深刻揭示了后革命时代公民伦理与革命伦理之间的道德商谈。电影《集结号》对小说《官司》的改编采用了保留、增添、改变和删除等手法。电影文本与小说文本的不同主要体现在号声真相的探询、残酷战争的展现以及象征仪式的出场三个方面。通过改编,电影《集结号》有力地强化了公民伦理与革命伦理在真诚性和生命观两个层面的剧烈冲突,以及二者通过修复共识而又相互依存的悲剧性关系。

Entirely different from traditional revolutionary tragedy,contemporary Chinese writer Yang Jinyuan novel Guansi（2002） and director Feng Xiaogang＇s film Assembly（2007） revealed profoundly the Moral Discourse between the Public Ethics and the Revolutionary Ethics.Guansi is adapted as Assembly by means of reservation,addition,change and deletion.The differences are the inquiry of the assembly blare,the representation on cruel battle and the presence of symbolic ritual.This way,the film Assembly emphasizes powerfully the fierce impact of the Public Ethics and the Revolutionary Ethics on authority and life value,and their tragic interdependency.