从“雕蛋者”走向雕梁——试论陆川电影的审美积淀

On Aesthetic Accumulation in Lu Chuan's Films

陆川导演仅以三部作品面世,却以其独特的影像世界从新生代导演中脱颖而出,以创造新主流电影为理念,进行了具有主观性的电影叙事话语创作,在体制中坚持自我的艺术表达和美学观念,很好将观众和艺术撮合在一起,从而完成了从艺术片的"雕蛋者"向新主流电影的"雕梁者"转变,为中国电影产业发展提供完全不一样的个案标本。

Although he has only produced three movies,Lu Chuan stands out from the new generation for his unique image world.His films,based on the principle of producing main-stream films,have accomplished the change from a craftsman of producing art films to a master of producing new mainstream films,by upholding his own artistic expression and aesthetic views in the system,and successfully combining audience and art,therefore provide a brand new case for Chinese film industry.