舞情源于田野——以舞剧《第五朵金花》中“阿鹏”人物形象塑造为例

Feeling from Fields——Creation of Character A Peng in The Fifth Golden Flower

本文结合作者在民族舞剧《第五朵金花》中"阿鹏"一角的艺术表演实践经验,探讨田野采风对民间舞演员在舞剧表演中的作用。《第五朵金花》是北京舞蹈学院民族民间舞系具有探索意义的民族舞剧。作者在舞剧筹备前期就曾随舞剧总导演、编剧、分场编导以及其他舞剧主要演员到云南大理进行田野采风。在田野考察过程中,作者深切感受到民俗、民风、民情的体验对舞剧表演所起到的作用,以及作为民族民间舞演员在田野考察时所必须具备的将"民情"化为"己情"的能力。

The author of the paper discusses what effects field work and dance collection have on folk dancers in performance of dance drama,based on his own experience of performing A Peng,a young man in the ethnic dance drama-The Fifth Golden Flower. This dance drama is a meaningful exploration of Chinese ethnic and folk dance department of Beijing Dance Academy in creating national dance drama.Before the preparation of the dance drama,the author joined the general director,screenwriter,director,and other main actors to carry out field collecting folk songs in Dali.The experience of local customs and feelings plays an important role in the author＇s performance in the dance drama.It＇s also suggested that the ability to＂possess the feeling＂of the local people is necessary for dancers of ethnic and folk dance when carrying out field work.