摘要
建国六十年来,中国新诗由繁荣发展滑向艺术的边缘,主导其变迁的核心审美范畴也在不断更替:新中国成立后的十七年是崇高,文革时期是喜剧,文革结束至八十年代末是自由,一九九零年代至今是荒诞。变迁的原因包括政治、经济、文化等诸多方面。未来新诗的核心审美范畴应该是和谐。
In the past 60 years,Chinese new poetry has slid to the edge of art from prosperity.Its core aesthetic category has also been replaced: after the founding of new China these seventeen years represents nobility,the Cultural Revolution period has a comedy style,after the Cultural Revolution period until 1989 it upholds freedom,and since 1990 up to the present it represents absurd style.The reasons for changing involved political,economic,cultural and other factors.And the future core aesthetic category should be harmony.
出处
《三峡论坛》
2011年第2期109-113,149,共5页
China Three Gorges Tribune
关键词
新诗六十年
核心审美范畴
崇高
喜剧
自由
荒诞
和谐
new poetry in past 60 years
core aesthetic categories
nobility
comedy
freedom
absurdity
harmony