摘要
文章回顾了华黎及其迹·建筑事务所(TAO)设计的云南高黎贡手工造纸博物馆项目的背景、设计理念和建造过程,阐释了建筑师对于如何在当下中国的乡土环境中运用当地资源和适宜手段来诠释建筑的地域性与现代性的思考。
The article describes the background, design concept and construction process of the Gaoligong Museum of Handcraft Paper in Yunnan, designed by HUA Li and his Trace Architecture Office （TAO）.It reveals the architect＇s contemplation on how to realize architectural expression of regional characteristic and modernity by using local resources and suitable techniques in the rural context of contemporary China.
出处
《时代建筑》
2011年第1期88-95,共8页
Time + Architecture
关键词
迹·建筑事务所
云南高黎贡手工造纸博物馆
地域性
现代性
当下
此地
Trace Architecture Office（TAO）
Yunnan Gaoligong Museum of Handcraft Paper
Regionalism
Modernity
Contemporary
Locale
