摘要
美国华裔剧作家黄哲伦在他的"美华三部曲"中展现了不同类型的东方形象。他笔下的东方形象有着各不相同的自我认知和生活状态。作为在美国的东方人,剧中人物身上展现了东西方对彼此的误读(文化冲突或文化摩擦)。黄哲伦在揭示其背后支配这种认知的权力架构的同时,也通过剧作中人物命运的设置表明了自己对这一问题的态度。
In his trilogy of Chinese American, David Henry Hwang depicted a group of oriental characters with different self-images and in different living conditions. As Orientals living in the western world, these characters exposited the misreading (or cultural conflict/cultural friction) between the East and the West. David Henry Hwang not only revealed the power structure dominating such cognition, but also expressed his own attitude to the issue through the destinies of his characters.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2011年第1期56-69,共14页
Drama:The Journal of the Central Academy of Drama
关键词
黄哲伦
东方和西方
美国亚裔戏剧
西方主流戏剧
后殖民主义
David Henry Hwang, the East and the West, Asian American theatre, Westernmainstream theatre, post-colonialism