过门之于板腔体戏曲音乐的形成发展和改革转型——以越剧为例

The Function of Interludes in the Formation,Development,and Reform in the Music of Traditional Chinese Operas

人们对于过门之于戏曲音乐乃至整个戏曲的形成发展和改革转型的影响等知之甚少。本文认为:过门是对戏曲音乐曲式的创造和补充,是板腔体戏曲音乐形成发展的前提性因素之一和新时期以来传统板腔体戏曲音乐向歌剧化戏曲音乐改革转型的标志性音乐样式。"传统的戏曲过门过时、妨碍戏曲发展"、"应该以西方歌剧描写性音乐替代传统过门"等观点失当,应当实施区别性改革,在保护中发展。

The influence of interludes on the formation,development,and reform of Chinese traditional operas has been known only by a few. This author believes that interludes are a creation and addition to the structure of traditional operatic music. They are one of the pre-conditional elements of the melodically-based traditional operatic music and the iconic musical model in the transition from traditional operatic music to western operatic music.