摘要
本文作者在2009年杭州"东亚律学第四次学术研讨会"上提交《对"燕乐音阶"再思考的思考》,同赵玉卿讨论"五正声再带有‘清角’和‘清羽’音阶"命名问题,不同意将其命名为"龟兹音阶",认为应称为"清商音阶"。因与此问题有关,陈应时就该文撰《就音阶命名问题答杜亚雄》作出回应。本文为杜亚雄对陈应时文中所提的几个问题作出的回答。
The Author presented his essay 'Thoughts on the Rethinking of the Yan Yue Scales' on the 4th Eastern Asia Study of Temperament Symposium held in Hangzhou in 2009,arguing with Zhao Yuqing that the name 'Qing Shang Scales' should be used in naming these scales. In Response,Chen Yingshi presented his argument on this topic to Du Yaxiong which triggered Du to offer this article in furthering the discussion.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2011年第1期52-55,175,共4页
Journal of Nanjing Arts Institute:Music & Performance
关键词
清商音阶
龟兹音阶
波斯-阿拉伯乐制
欧洲乐制
中国乐制
Qing Shang Scales,Gui Ci Scales,Persia-Arabic musical settings,European musical settings,Chinese musical settings