摘要
本论文以肖邦夜曲织体为研究对象,从纵横两方面深入分析、追溯早期织体产生的形式。看肖邦在作品中对音乐形象的把握,以及他是如何灵活运用不同织体塑造各种不同的、鲜明的音乐形象。
This thesis analyzes in depth the form of early generated texture of Chopin nocturne both from the vertical and horizontal as the research object. Tile author deals with how Chopin grasps the image of music in his works and how he makes flexible use of different textures to create different and distinctive musical image.
出处
《吉林省教育学院学报》
2011年第4期126-127,共2页
Journal of Jilin Provincial Institute of Education
关键词
织体
钢琴音乐
主调
复调
: texture
piano music
melody
Polyphonic