摘要
戏曲中的唱腔艺术首先讲究咬字准确、吐字清晰、圆润、饱满。演员所唱的每一个字,都要让广大观众听见、听清、听懂,从而得到美的感染和教育。演唱者不仅要掌握吐字归音的技巧——字头、字腹、字尾的正确掌控方法、步骤,还要懂得唱词辙韵的收声归韵的规律;同时把握和遵循好"四呼"、"五音"的出字之法和审字之规,力求在吐字艺术中做到声韵母过渡浑然一体,收声归韵自然贴切,做到戏谚中所说的:"擒字如擒兔,每字圆如珠"。
The aria art in traditional opera pays first attention to the clearness,mellowness,and fullness of the aria.Every word in the actor's aria should be dear and plain for the audience so that they can be influenced and deeply educated by the art.An actor should not only master the skill of enunciating according to the voice——the correct way of controlling the beginning,the middle and the ending part of the enunciation,but also learn the rule of ending the singing into rhythm.
出处
《太原大学学报》
2011年第1期53-55,共3页
Journal of Taiyuan University
关键词
戏曲
晋剧
吐字艺术
收声归韵
traditional opera
Jin opera
enunciation art
ending singing into rhythm