摘要
上世纪20年代文人梁遇春的散文在"审美现代性"建构中有较大意义。他的创作从行文内容到成文风格体现并丰富了"审美现代性"的涵义,展现了审美现代性在现代社会中对"世俗的超越"的功能特质,主要表现为"回归、仿超古典"、"永远的精神漂泊冲动"、"生命力的赞歌"、"非现代的时间观"、"新的价值系统的建构"等。
The essays by Liang Yuchun,a writer in the 1920s,are of great significance in constructing ＂Aesthetic Modernity＂.His creations embody and enrich the implication of ＂Aesthetic Modernity＂ both in content and style,exhibiting the qualities of its ＂transcending common views＂ in modern society,such as ＂returning to classics and transcending them＂,＂permanent spiritual impulse to drift＂,＂paeans of life＂,＂non-modern view of time＂,＂construction of new value system＂.
出处
《青岛大学师范学院学报》
2011年第1期63-67,共5页
Journal of Teachers College Qingdao University
关键词
梁遇春
散文
审美现代性
超越
Liang Yuchun
essay
Aesthetic Modernity
transcendence
