摘要
对于崔与之词,南宋以迄近代的评论似乎都不曾涉及其词史地位的判定。但到了现当代,建立在崔氏《水调歌头》基础之上的"粤词之祖"说几成定论。对崔与之词史地位的认定,主要是认为其代表作豪迈雅健的词风对后世广东词人影响极大,这明显与当时国内普遍崇尚伤时忧国价值取向的文学批评风气有关。事实上,基于种种非文学因素积淀而形成的读者尊崇,与相关作家文学史真实地位的判断之间,往往存在隔膜,即个体社会价值的完全裸露过程,经常是其经典作品的非文学价值渐渐凌驾于文学价值的过程,也就是读者尊崇与文学史定位之隔离的制造过程。泯除或者解构类似的隔膜,检讨和反思类似的文学批评史现象,可以为探寻文学批评发展史提供有益的认知视角。
Identification of Ci history status of Cui Yuzhi is mainly based on his representative Ci poetry style and his great effect on future generations.In fact,the isolation between readers respected is based on various non-literary factors and judging real position of the writer of literary history.Through the review and reflection on the similar phenomenon of literary criticism history,we can provide useful cognitive perspectives to explore the history of literary criticism.
出处
《徐州师范大学学报(哲学社会科学版)》
北大核心
2011年第2期40-45,共6页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词
崔与之
粤词之祖
读者尊崇
隔离
解构
Cui Yuzhi
the ancestor of Guangdong Ci
readers respected
isolation
deconstruction