摘要
从桃符演变为春联经过了一个漫长的历史时期,这一过程具有丰富的文化内涵,反映了中国传统文化方方面面的内容。从桃符演变为春联,从神荼郁垒演变为其他武士形象的门神或门画,是桃图腾崇拜到英雄崇拜的发展,也是桃图腾崇拜和英雄崇拜的完美结合。桃符文化属于道家符箓文化,也反映着儒家的天人感应意识。桃符演变为春联的过程,是符箓文化由俗变雅的过程。春联对于原来实物表现的桃符来说,不仅是高雅的文学化,更是具有特殊美感的诗化。
There is a long historical period that TaoFu evolved into the Spring Festival couplets.This process has the rich cultural connotation and reflects the aspect of traditional Chinese culture.In the evolution process,TaoFu changed into the Spring Festival couplets,ShenTu and Yu Lei changed into the other warrior images in the door keeper or door paintings,which is not only the development that from peach totem worship to hero worship,but also the perfect combination of peach totem worship and hero worship.TaoFu culture belongs to the Taoist amulet culture,also reflects Confucian telepathy consciousness between heaven and man.The TaoFu's evolution is also the process that amulet culture changed from common to elegant.Compared with TaoFu,the Spring Festival couplets have more special aesthetic feeling of the literature and poetry.
出处
《河南教育学院学报(哲学社会科学版)》
2011年第2期8-12,共5页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
桃符
春联
演变
桃图腾崇拜
英雄崇拜
符箓
文化探讨
TaoFu
Spring Festival couplets
evolution
peach totem worship
hero worship
amulet
cultural discussion