摘要
生成于"五四新文化运动"中的启蒙思潮在20世纪40年代发生了本质的裂变,"启蒙"与"救亡"成为20世纪40年代相互对峙、纠缠的两种时代话语。本文主要从文学内部的新的"美学原则的崛起"和文学外部的启蒙空间的位移两个向度来捕捉战时文化环境中启蒙思潮的脉象,并与"五四"一代知识分子的启蒙思想和文化形态进行纵向比较,以此来探寻中国启蒙运动的路向。
Enlightenment thought was generated from The New Culture Movement and its essential fission occurred in the 1940s. At that time, "Enlightenment" and "salvation" became mutual confrontation and entanglement of two kinds of Epoch language. This paper attempts to capture Enlightenment thought in wartime literature in two directions of the rise of aesthetic principle in Literature itself and Enlightenment space displacement outside Literature, and to compare them with the "May 4th" intellectuals enlightenment and cultural formation to seek the way of the enlightenment movement in China.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2011年第2期23-26,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
1940年代
启蒙
救亡
暴力美学
延安
1940s
enlightenment
salvation violence aesthetics
Yanan