摘要
作为对名著《简·爱》改写,小说《藻海无边》通过解构男权中心,对阁楼上的疯女人伯莎进行重新塑造。通过女性主义理论对本篇小说进行解读,有助于更好地理解小说《藻海无边》在借助于树立女性的经验主体、意识主体和言说主体来使女性这一性别群体的主体存在得以彰显和认同之时,在艺术手法上亦采用了以性别视角、尤其是女性视角作为参照角度来生发文本、展开情节。
In order to rewrite Jane Eyre, the novel Wide Sargasso Sea reshapes the image of Bosa Mason, the madwoman in the attic by deconstructing Andro -centrism. Feminist criticism will not only help understand that the novel tries to manifest, but also identify the existence of the female and unfold the story from the female's perspective.
出处
《延安职业技术学院学报》
2011年第2期85-87,共3页
Journal of Yan’an Vocational & Technical College