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《淮南子》本末论的渊源与创新

Origin and Creativeness of the Fundamental and the Incidental on Huai Nanzi
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摘要 先秦时期已经出现从本体论的高度探讨文艺的本与末,《淮南子》文艺本末论既对前贤的思维成果有所吸收、借鉴,也有自己的独创和发挥,使本末论在艺术范畴内呈现出比较成熟的理论形态,为中国古代文论的进一步发展成熟做出了奠基性贡献。 Before Qin Dynasty,it has emerged and researched into the fundamental and the incidental about literature from the height of ontology.The theory of the fundamental and the incidental in huainanzi has absorbed and learned the thinking outcome of the forerunners and has their own original and development."huainanzi" made the theory of the fundamental and the incidental showing a more mature form of theory in arts,and made Fundamental Contribution to further development and maturity of the ancient Chinese literary theories.
作者 杜绣琳
出处 《鞍山师范学院学报》 2011年第1期70-73,共4页 Journal of Anshan Normal University
关键词 《淮南子》 本末论 渊源 创新 Huainanzi The theory of the fundamental and the incidental The origin of thought Creativeness
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参考文献3

  • 1杨伯俊.春秋左传注[M].北京:中华书局,1990.
  • 2王利器.文子疏义[M].北京:中华书局,2000:13.
  • 3列御寇.列子[M].长春:吉林出版集团有限责任公司,2005.

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