摘要
夏洛蒂.勃朗特在自传色彩颇浓的四部小说中皆隐去父亲形象,造成了父亲形象的"缺席"现象,这与作品运用的童话模式以及作家的身份焦虑有关。虽然父亲形象在显性层面上是缺席的,但纵观作品的男性形象可以发现,无形之中的父性权威存在并贯穿了整个故事的进程,父亲形象以种种变形身份而"在场"。夏洛蒂的这种男性形象书写不仅描摹了作家身边的男性图景,而且传达了解构父权文化、探索更加和谐的两性关系的女性主义思想。
Charlotte Bronte concealed father image in the four autobiographical novels,which caused the "absence" phenomenon of father image.I think it is related to the use of fairy tale model and writer’s anxiety about identity.Although the father image is absent on the surface,looking at the male images in the works,we can find the invisible presence of the father authority exist and throughout the whole process of the story,and the father image "present"in kinds of deformed identity.Charlotte’s male images not only described the male pictures around author,but also conveyed the feminism which deconstruct of patriarchal culture,and explore more harmonious relations between the sexes.
出处
《信阳师范学院学报(哲学社会科学版)》
2011年第2期112-116,共5页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)