《庄子》中“忘”的内涵

The Connotation of"Wang"(忘) in ZhuangZi

从《庄子》文本出发,总结分析"忘"字在全书中的使用。将"忘"这一概念从语义层面分为动作和状态两方面,"忘"经历在动态中的层层技艺的提升过程,最终达到静态的"忘",并从此与庄子的"自然"、"逍遥"等审美理想结合,与庄子的人生理想和艺术境界达成一致。"忘"既是庄子美学的超越方式,又是庄子美学的理想境界。

This thesis based on ZhuangZi,sums up and analyses the using of ＂wang（忘）＂ in this book.＂Wang＂ is distingwished into a verb and an adjective from the angle of semantics,transforming from being dynamic to being static,linked with Zhuangzi＇s aesthetics ideality like ＂naturalness＂,＂peripatelicism＂ and so on and combined with Zhuangzi＇s life ideality and artisific realm.Thereout,＂Wang＂is the both transcend manner and ideality of Zhuangzi aesthetics.