摘要
以口头诗学理论为背景,从"程式"、"主题"、"故事范型"3个层面揭示冯梦龙编撰的"三言"拟话本小说所含有的口头艺术特征。分析认为,冯梦龙"三言"拟话本小说保存了口头诗学特征,丰富了口头诗学理论,并对口头诗学进行了"书面化"改造,这不仅有利于探究中国古代白话小说的艰难蜕变历程,而且也证实了口头艺术影响中国古代白话小说发展的事实。
On the basis of oral peotry theory, this paper reveals the art characteristics in FENG Meng-long's oral peotries. The analysis shows that his fictions with formula, theme and story pattern not only preserve the features of oral peotry and enrich the theory, but also transform the written style in the peotry. All these are beneficial to the study of the changing history of the ancient fictions, and to prove the truth of the ancient fictions for the oral arts.
出处
《长安大学学报(社会科学版)》
2011年第1期83-89,共7页
Journal of Chang'an University(Social Science Edition)