屠隆《昙花记》中的女性形象解读

Seek the Utopia in the Religious Kingdom:Interprete the Memale Images of the Tu-Long's Tan-Hua-Ji Drama

晚明被誉为思想史上的解放时期,众多的戏曲传奇作品,以表现女性挣脱束缚,追求幸福的爱情婚姻生活为主题。痴情而又勇敢,是该时期女性形象的主流,而屠隆作为同时代的著名曲家,其曲作《昙花记》中的女性形象却与主流创作大相径庭,她们主动放弃世俗社会中家庭、婚姻的幸福,追求宗教修持上的功德圆满。这缘于屠隆对女性真实境遇的冷静观察:自由与幸福并未为当时的女性敞开大门。于是,宗教的修持是他为女性设想的一个乌托邦避世之所,借由剧中人物予以表达。

Late Ming Dynasty,as a society has open and free thoughts in the old China,has a lot of dramatists,they otfen portrayed enthusiasm women who pursue purely and simply love,and seek free lives bravely,it was the mainstream in the literary creation on that time.But Tu-Long,one of the famous dramatists,in his Tan-Hua-Ji drama,created the femals all as tragic people,and had no choice,indigent themslves in the religon is the only way those women could catch their happines and free.It＇s depended on his observe of the female＇s destinies,and the religious was the Utopia he building for the women who deserved sympathy in his drama work.