摘要
本文以文人画及其理论为证,提纲挈领地叙述了"神"、"传神"、"畅神"到"写意"审美范畴的演变,分析了传神写意审美命题的文化背景,并以民间艺术为例,提出中华艺术的传神写意先起于民间,文人艺术与民间艺术相互影响相互作用,促成传神写意成为中华传统艺术之中独特的文化景观。
Based on interpretation of literati painting and its theory,the present article mainly concentrates on the category evolvement of "divine","vividness in spirit","pleased by appreciating nature",and "freehand brushwork". Taking folk art as an example,it states that the aesthetic theme sprang in folk culture. With the interaction between literati art and folk art,the aesthetic theme became a unique cultural landscape.
出处
《艺术百家》
CSSCI
北大核心
2011年第2期84-95,共12页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一
关键词
传神
写意
中华传统艺术
文化传统
中国艺术史
审美
Vividness in Spirit
Freehand Brushwork
Classic Chinese Art
Cultural Tradition