摘要
跨文化格局中的美学比较所以能够发生 ,根本原因在于古典意义上那种普遍有效的理论话语的失效和多元、相对观念的确立。要摆脱中西方美学比较中长期存在的滞缓不前、缺少突破的局面 。
It is failure of the classical theory and establishment of multiple concepts of relativity that gave rise to comparative aesthetic studies.In order to get rid of the long\|existing stagnant situation in Chinese and Western aesthetic comparative studies it is necessary to stress the functional limits Chinese and Western cultures place over the study and over scientific selection of reference system as well.\;
出处
《中国人民大学学报》
CSSCI
北大核心
1999年第6期81-86,共6页
Journal of Renmin University of China