摘要
郁达夫在上个世纪二三十年代创作了大量的山水游记。在这些游记作品中,中国古代文学传统中的自然维度在某种程度得到了弥补,丰富和发展了当时文学创作的题材。他的山水游记是其人生体验的独特书写,具有重要的审美作用,同时也构成了他文学创作的一次成功转型。
In the 20s and 30s of the last century,Yu Dafu as a famous writer,writes a large number of scenic travel notes,some of which are later rehashed into Prints Left Everywhere and Dafu's Travels.Yu's articles to some extent compensate the natural dimension of traditional Chinese literature and enrich the multi-dimensional selection of the subjects for literature at that time.His scenic travel notes,which show his peculiar experience of life,play a significant aesthetic function and form the successful transformation of his literature writing.
出处
《扬州教育学院学报》
2011年第1期25-27,67,共4页
Journal of Yangzhou College of Education
关键词
郁达夫
山水游记
自然维度
重建
Yu Dafu
scenic travel notes
natural dimension
reconstruction