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论两宋山水画的历史烙印

On the Historic Brand of Landscape Paintings in Song Dynasty
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摘要 北宋时期的山水画大多是理想化了的山水,一般是通过实地描写自然景色来抒发思想情感并表达作品的主题,而南宋的山水画由于特殊的环境则讲究画面含蓄,力图实现爱国情感与诗意之融合。在山水画的自然观方面,无论北宋还是南宋的画作则是一脉相承的,官府所推崇的理学对山水画的影响极大,并成为其精神法则。 Most of the landscape paintings in Northern Song Dynasty were idealized landscapes,they described natural scenery through the field to express thoughts,feelings and theme as well.Because of the special environment,landscape paintings in Southern Song Dynasty paid attention to subtle pictures and tried to achieve the integration of patriotic emotion and poetic message.In terms of nature of landscape,Whether Northern or Southern Song paintings were the same strain,advocated by official,both had a huge impact on the landscape,and owned the spirit of the same law.
作者 臧丕文
出处 《开封教育学院学报》 2011年第1期69-72,共4页 Journal of Kaifeng Institute of Education
关键词 两宋 山水画 宋代理学 历史烙印 Northern and Southern Song landscape paintings historic brand
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参考文献7

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