高丽文学的审美心理结构探析

A Study on Aesthetic Psychological Structure of Koryo Literatture

朝鲜民族的深层审美心理潜藏于高丽时期作家的审美心理结构的深层之中,它规定和制约着他们的创作和思维;这种深层心理通过"寓兴触物"、"触物生情"的审美心理活动过程获得了蓬勃的生命力。为了艺术意象的诞生,高丽文人进入物我俱忘的状态,回归"气"的本源,达到了"物我一心"的审美心态。高丽文学审美心理结构形成的中心环节乃是作家的"气"。

The deep aesthetic psychology of Koryo Literature is hidden in the depth of Korean writers’ aesthetic psychological structure. It structures and limits the writers’ composing creativity and their thoughts. It also gains its dynamic elements by the deep aesthetic psychological activities of 'feeling by touching' and 'expressing'. In order to bring about the occurance of artistic images, the Koryo scholars try to reach the phase of forgetting the material world and themselves. Instead, they turn to the origin of 'Qi' and reach the aesthetic realm of 'the world is mine, and I am the world'. The key point of formation of the aesthetic psychology of Goryeo Literature is 'Qi'.