“物感”说的哲学基础及其对作家创作的意义

"Sense of Things"the Philosophical Significance of Its Writers

中国古代文学创作的"物感"说,以"天人合一"的思想观念为哲学基础,包容儒家和道家的美学思想。主客体的对待关系,在创作上通于"比兴"手法,而在创作主体条件上,则要求做到"虚静"和"静观",保持创作心态对现实的超越性。在文学理论上,"物感"说具有丰富的心理和情感内容。艺术直觉是其思维的形式,作家感物生情,具有悲感和喜感两种趋向,但艺术情感常以悲为美,抒发悲愤情感的作品,常常更具有美感魅力。

Ancient Chinese Literature,＂the sense of things＂ said to ＂Harmony＂ as the philosophical basis of ideology,inclusive of Confucian and Taoist Aesthetics.Relationship between subject and object of treatment, in creative communication in the ＂Xing＂ means,and in the creation of the main conditions,they are required to do ＂Silence＂ and ＂wait and see＂ attitude to maintain creative transcendence of reality.Literary theory, ＂the sense of things＂,said rich psychological and emotional content.Art in the form of Intuition is the mind, the writer a sense of physical hygiene conditions,with sadness and delight two tendencies,but the emotion of art is often tragic for the United States,to express the emotional grief work,often more aesthetic charm.