摘要
以往人们总是认为艺术品只是被小众的收藏家所欣赏和收藏的,而不是被大众用来使用和消费的。随着艺术品市场类别的日趋完善,特别是艺术产业化发展的逐步成熟,原本只属于＂小众＂的艺术品正在试图寻找更加亲近大众的方式,艺术消费也就应运而生。
Sweden model lays emphasis on the development of public art and establishes the effective and innovative mechanism through setting up art foundation and offering prizes. Sweden art, known for its popularity and tolerance, close to life and never flashy, takes public-orientation and functionalism as its core. The highly commercialized Sweden art, naturally and perfectly combined with consumer market, is a classic model of internationalization.
出处
《雕塑》
2011年第2期76-78,共3页
Sculpture
