女性想象与历史认知——关于当代女性文学几点思考

Female Imagination and Historical Recognition——about several viewpoints on contemporary female literature

自20世纪八九十年代以来,商家和学者共同关注女性文学,这种偶然中的必然现象,促使女性文学研究要突破以往那种简单化的非此即彼的判断方式。在历史叙事中的女性文学,既不能脱离历史和传统,又对历史和传统轻视女性的某些方面反其道而行之,其特点在于:借用传统话语方式,消解历来被认为不可一世的传统,丁玲首开先河,她的作品显现了一位女作家在一个革命大时代孤寂的身影。借书写日常生活,呈现对主流叙事的疏离倾向,茹志鹃的《百合花》等作品把女性写作的疏离性或"不可思议性",潜入表层叙述的底里。通过对男性神话的拆解,转而进入对以往宏大叙事的重新解读,张洁长篇小说《无字》就讲述被以往宏大叙事遮蔽了的三代女人的故事。通过分析和研究以往女性文学的努力和成果,可以使我们体察到女性文学的过去、现在以及将来的发展基因。

Since the 1980s or 90s of the 20th century,businessmen and scholars have concerned of female literature,an inevitable phenomenon,to enable women to break through the literature in a simplistic way to be judged from one by another.In the historical narrative of women in literature,neither from the history and tradition,history and tradition of contempt for some aspects of the female opposite,which is characterized by borrowing the traditional discourse,the mighty digestion has long been considered the tradition.Through analysis and study of past efforts and achievements of female literature,it allows us to observe that the female literature＇s past,present and future development of gene.