后现代的解构与颠覆--从“平面化”看冯小刚电影特色

Post-modern Deconstruction and Subversion:From the "flat" way to see the performace of Feng Xiaogangs' movies

在全球化互动的后现代语境下,冯小刚电影敏锐地捕捉急剧变化的都市生活的前沿风尚景观,演绎商业社会冲击下各种人群的情感欲望和梦想,以强烈的时代精神,对意义、理性、价值等问题进行了重新思考,以一种较为激进的方式,怀疑、弱化、反叛并消解了传统,形成了叙事商业化、深度平面化、情节游戏化、文化多元化等明显带有后现代主义特征的影片风格。正确认识和理解这些特征,无论对于当前中国电影的创作实践还是理论研究,都具有深刻的借鉴和启示意义。

In the postmodern context,Feng Xiaogang＇s movie keenly catch the rapid changes of the city life＇s prevailing custom landscape under the globalization interaction,and deduct people＇s emotion desire and the dream under the commercial society＇s impact.It pondered on the significance rationality and value with the intense spirit of the age.And by a radical way,it suspected,attenuated,rebeled and dispeled the tradition,and formed the post modernism movie styles such as commercial narration,depth complanation,game plot,cultural diversification.It has the profound significance of model and enlightenment to realize and understand these characteristics,no matter for the creation practice or for the fundamental research of Chinese movie.