摘要
近年来,一些德国影片开始以新思维来透视二战时期的纳粹德国,如取得重大突破及在德国本土及海外都极具影响力的《帝国陷落》和《伪钞制造者》。前者因打破以往禁忌而涉及敏感话题,对纳粹头目希特勒的人性化的处理方式招致诸多非议。后者则聚焦战争期间的普通德国人,让我们看到在二战反思中得以稍卸道德包袱的德国人如何剖析普通民众的战争体验,其对非常时期人性的解读也更为复杂。通过对这两部影片的深入分析,探讨德国文化在二战电影新思维下的具体表现形式。
German films began to depict the Nazi Germany with new angles, such as Der Untergang and ltte Counteryeiters, which had exerted a great impact on Germany as well as overseas in recent years. The former arouses many disputes because it breaks the conventions and starts to touch upon the sensitive topic, whereas the latter focuses on the ordinary German people with their personal experience and complicated human nature being analyzed and interpreted. The article probes into the facets of German culture via the deep analysis of the above-mentioned two films.
出处
《衡水学院学报》
2011年第3期72-74,共3页
Journal of Hengshui University
关键词
二战电影
《帝国陷落》《伪钞制造者》
新思维
德国文化
films about World War II
Der Untergang
The Counterfeiters
new thinking mode
German culture