摘要
本文以徐悲鸿与林风眠作为研究对象,从一元与多元、专横与兼容、后顾与前瞻三方面展开,对徐悲鸿与林风眠的艺术观念、艺术思想、作品定位进行比较分析和价值判断,其意义在于通过此课题的研究,有利于我们重新看待中国与世界的关系,认清中国美术的现状,并能于新时代激发艺术的创造性,以期树立中国现代艺术在世界文化中的地位。
Taking Xu Beihong and Lin Fengmian as the study objects,extending its narration on aspects of being unitary and multiple,peremptoriness and compatibility,and looking back and looking forward,this thesis makes comparing analysis and value judgment between Xu Beihong and Lin Fengmian on art concepts,art thoughts,as well as the orientations of work.This study is helpful for us to see the relationship between China and the world in a new aspect,to see the present situation of Chinese art,and to inspire artistic creation in the new era,so as to build up the position of modern Chinese art in the world cultures.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2011年第2期8-10,161,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
教育部人文社会科学研究项目基金资助
项目批准号:08JA760003
关键词
徐悲鸿与林风眠
一元与多元
专横与兼容
后顾与前瞻
Xu Beihong and Lin Fengmian,unitary & multiple,peremptoriness & compatibility,looking back & looking forward