舞台上的“原生态”和原生态的“舞台”--从青歌赛“撒叶儿嗬”组合谈起

Stage "Primordial" Style and Primordial-Styled "Stage"-Case Study of "Throw Leaves" Ensemble in the CCTV National Young Singers TV Competition

本文以第十四届CCTV全国青年歌手电视大奖赛原生态唱法金奖获得者——"撒叶儿嗬"组合为关注对象,通过对原生场域中的"撒叶儿嗬"(跳丧鼓)与舞台上的表演相比较,从曲目使用、展演方式、展演目的等方面的变化说明了舞台上的"撒叶儿嗬"是去禁忌化、去仪式化后娱乐化、歌舞化的表演,舞台上展演的形式并非是非物质文化遗产所要保护的对象。本文在此基础上探讨了以青歌赛为代表的"舞台上的原生态"对于"原生场域原生态"以及音乐生活的影响,并认为舞台上的"原生态"有其存在的意义,进而认为对于有益于原生态生存发展的多种形式的原生态"舞台"应该持宽容态度。

With the Gold Prize winner the 'Throw Leaves' ensemble for the primordial singing style in the CCTV National Young Singers TV Competition as her topic,the writer compares the primordial field with the stage performance,interpreting its stage version as a kind of singing-dancing entertainment by means of de-tabooing and de-ritualizing.Out of it comes her examination of the so-called primordial 'stage'.