后现代音乐人类学的思考与写作

Thinking and Writing:Postmodernist Ethnomusicology

本文从后现代角度,对"东方学"思维的音乐研究以及现代性音乐学的主客观研究方法提出了批评,阐释并介绍了音乐人类学家赖斯的解释学音乐人类学的研究,运用赖斯"个体遭际音乐世界的符号后从中发现自我的历史"并结合了个人的音乐体验,提出重新认识中国属于东方音乐类型的价值,在东西方音乐差异的基础上平等对话,重构与书写它的当代文化意义。

In the postmodernist perspective,the essay challenges the music studies in the Orientalist line of thought and the subjective-objective dualism in modern musicology,makes an interpretative introduction to Tim Rice's hermeneutic ethnomusicology,and further suggests a reevaluation of the value that Chinese music falls into the Eastern category,advocating an equal dialogue based on the difference between the East and the West,as well as a reconstruction and rewriting of the contemporary cultural meanings of Chinese music.