光影中的屋檐——侯孝贤电影对家庭形象的建构

The Roof in Light and Shadow:The Family Image Construction in Hou Xiaoxian's Movies

家庭在侯孝贤的大多数电影中都是被叙述和描绘的主体。通过分析侯孝贤如何在他的电影中建构家庭形象,以及建构出了怎样的家庭形象,可以对侯孝贤的电影语言,以及他的电影所反映的历史和现实作出更全面而深刻的把握。侯孝贤《风柜来的人》《冬冬的假期》《童年往事》《恋恋风尘》四部电影所建构出来的家庭形象,在环境、成员,以及成员之间的关系等方面都各有差异,然而又在许多层面具有共性,反映了编导建立在自身经历和人生观基础上的关于家庭的立场和观点。在对家庭的看法之中,凝聚着侯孝贤对台湾社会现实和历史的认知。

In most of Hou Xiaoxian＇s（Hou Hsiao-Hsien）movies,family is the main theme.In analyzing how he constructs family images and what kind of family images he constructs in his movies,we can have a full understanding of his film language and the history and reality conveyed.The family images in his four movies,The Boyfriend from Fengguei,A Summer at Grandpa＇s,A Time to Live,A Time to Die,and Dust in the Wind,differ from each other in terms of the background,members,and the relations among the members.However,they share some common ground at many levels,which reflects the director＇s own concept of family based on his own experience and life philosophy.The family images in his movies remind us of his understandings of the history and reality of Taiwan.