摘要
解构主义误读理论从发展历程上看,巴特"作者之死"理论扫清了"作者权威"的障碍,向合法误读迈出了第一步;布鲁姆首先提出"误读"术语,把它作为作家克服"影响的焦虑"的策略,而后扩大到阅读领域,提出"一切阅读皆误读";德里达、德.曼、米勒等人则从语言修辞的角度深化了误读理论,把误读作为解构式的修辞阅读来加以倡导;德里达文学批评中的泛文化色彩、米勒把解构批评运用于文化研究的自觉努力,共同推动着误读理论向文化批评的转向。
In the history of misreading theory of deconstruction,Bathes' "Death of Author" swept the obstacle of "Author's Authority",thus taking the first move in making misreading legal.Bloom first introduced the jargon of misreading which was treated as the strategy of overcoming the "anxiety of influence" and then applied to the reading field,claiming that "All reading is misreading." Paul de Man,Derrida and Miller further explained the misreading theory in light of rhetoric devices and advocated the misreading as rhetorical reading of deconstruction.Then,the extensive cultural features in Derrida's literature critique and the spontaneous efforts in Miller's application of deconstructive criticism into culture research shifted the misreading theory to cultural criticism.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2011年第2期149-154,共6页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
教育部人文社会科学研究一般项目(10YJC751088)
关键词
解构主义
误读
修辞
文化
deconstruction
misreading
rhetoric
cultur