影像公共性对精神归属感的颠覆抑或纪实摄影的焦虩与惶惑

The Discussion of the Sense of Belongings Overtaken by the Publicity of Visual Images

纪实摄影陷入了深重的危机,本体的含混却又了遭遇"观念摄影"尤其"纯摄影"等当代影像艺术之围剿,酷似全球化世纪荒凉中建筑学的内忧外患。影像人文归属感的迷失,源于摄影家对纪实摄影认同感的阙如。笔者愿美与善回归海德格尔之"本真",在公共性的"无物之阵"中探询自我的归属感,在现代性构筑的空间诗意地栖居,策动一次拯救人类魂髓的精神突围。

Documentary photography has immersed into a crisis deeply, where the entity is so ambiguous as to lose its identity due to a surge of works of contemporary image art , like the ＂conceptual photography＂ or even the ＂pure photography＂. Likewise the architecture is challenged home and abroad with the cultural assimilation trend in the globalization. The humanist sense in those visual images has been disorientated owing to less identification of photographers with documentary photography. The paper expounds the possibility to restore beauty and virtue in the ＂Authenticity＂ by Martin Heidegger, discover one＇s sense of belongings in the chaotic publicity, and arouse a spiritual breakout in the poetical context of modernity.