摘要
百年来的中国古代戏剧研究,主要集中在"史"的研究、"文学"的研究、"表演"的研究等方面。戏剧本体构成研究少,缺乏整体理论系统的建立,以致"中国戏剧研究"这个学科还未真正站立起来。目前进行戏剧理论建构所面临的困境是:本土的古代戏剧论著理论基础薄弱,无助于戏剧理论的建立;而西方的戏剧理论是对西方戏剧创作的总结,并不适于中国古代戏剧创作的实际。研究与实例证明,戏剧与讲唱文艺是密不可分的,从与讲唱文艺的关系入手,建立本民族的戏剧理论,或是可行的。
Investigation of years of ancient Chinese drama focused on "history" of the study, "literary" study, "performance" of the study. Body composition of small theater, the lack of an overall theory of the establishment, so that" Chinese Drama," the subject has not really stand up. (See Lodi, "the study of traditional Chinese drama defects on one two three") and the current theory of construction of the drama is the dilemma : the ancient theater of a local theory is weak, does not help the establishment of drama theory ; the Western drama theory is a summary of Western Drama, not suitable for the actual ancient Chinese drama. Research and examples show, drama and fiction are inextricably linked, Starting from the relationship between drama and the fiction, the establishment of this nation- al drama theory is feasible.
出处
《齐鲁学刊》
CSSCI
北大核心
2011年第3期131-135,共5页
Qilu Journal
基金
山东省高校人文社科研究计划项目"元杂剧剧本生成方式研究"(J09WC02)
关键词
中国古代戏剧研究
检讨
展望
study of Chinese ancient drama
review
outlook