“新生代”都市小说中生态美的缺失与重构——以邱华栋的都市小说为例

Discussion on Deletion and Reconstruction of Ecological Beauty in Metropolis Stories About "New Generation"——Taking Qiu Hua-dong'Metropolis Stories for Instance

由生态学和美学相交叉而形成的新学科——生态美学,把文学批评的视野扩展到生态学的领域,为文学研究提供了一种全新的美学范式和考察视角。透过生态美学这一视角,以邱华栋的都市小说为例,着重考察"新生代"都市小说创作中所体现的生态美问题:一是在表现了物化都市对自然的远离及对人的自然本性的异化之后,试图通过特定主题及独特的艺术表现手法,努力探寻都市社会的自然生态之美。二是在揭示了物化都市中人们始终处于空虚、失落、漂泊、流浪的精神状态之后,试图重构审美文化的价值形态,倡导生态关怀和人文关怀,从而构建起人与自然、人与社会以及人自身和谐共生的精神生态之美。

The ecology and aesthetics intersect to form a new discipline-ecological aesthetics,which expands the literary criticism vision to the ecological field and provides a new aesthetic paradigm and research angle for literature research.Through the perspective of ecological aesthetics,take Qiu Hua-dong＇metropolis stories for instance,it focuses emphasis on the research of ecological beauty problems embodying in the metropolis stories of ＂new generation＂.On one hand,after manifesting materialized city far away from the nature and the alienation of human nature,it fishes out the beauty of the natural ecology by certain themes and unique artistic expression.On the other hand,after revealing peoples＇psychosis-empty,lost,wandering in materialized city,it reconstructs the form of value of aesthetic culture to promote ecological care and humane care,which is built up between man and nature,man and society and the spirit ecological beauty of man＇s own.