文学经典与颜色政治——瞿秋白与《子夜》的文学史接受

Literary Canon and Color Politics——QU Qiubai and the Reception History of Midnight

颜色政治学的存在是造成颜色化文学经典的根本原因。瞿秋白、茅盾和红色经典《子夜》在接受史上的互动,是中国左翼文学批评史的完美实践。它不仅丰富了瞿秋白作为革命政治家的文艺理论内涵,也改变了中国现代文学的实践品格,更生成了中国艺术史上的特异现象——红色、艺术与经典之间无尽的纠结。

The very existence of color politics prepares roots for color literary canon.The interaction in reception history between QU Qiubai and Mao Dun and his red canon Midnight presents a perfect practice of China＇s left-wing literary criticism.This experience not only improved QU Qiubai＇s accomplishment in literary theory and added to China＇s modern literature a practice feature,but also forged a special phenomenon in Chinese artistic history-the endless entanglement of red,art and canon.