永远之女性,领导我们走——论郭沫若小说中的女性崇拜意识

Eternal She, Guiding Goddess —— On the Sense of Women-worship in Guo-moruo’s Novels

郭沫若在其一生创作的小说里,塑造的女性形象都是居于主导地位的“光明圣母”型人物:“五四”时期,“三不从”的觉醒的东方娜拉;三十年代,昂首阔步投身社会改革的女义士;抗战爆发后,在血与火中笑对人生苦难的大女人。她们身上注入了作者的美好理想,是引人走向真善美的圣洁女神,具有崇高美。她们身上烙上了鲜明的时代印记,不仅记录了作者的心灵历程,而且展现了20世纪前半期中国时代壮剧的历史画卷,同时映照出中国现代妇女争取解放的光辉历程。郭沫若是以对女性的崇拜与赞美,以将女性形象理想化、审美化、神圣化,作为改革社会实现“人类幸福”的独特形式和途径。

All the female characters portrayed by Guo-moruo in his novels are like Saint Mary who can lead people to light.Such female characters include Dongfang-nala who struggled against the Three Obediences（to father before marriaget,o husband after marriage,and to son after the death of husband） set in ancient time for Chinese women after the May 4th Movement and the heroine in the 1930s who threw herself into the social struggle as well as the woman who stayed strong faced with the hardship in her life after the war against Japanese broke out.They are the author’s ideals,who are considered as the lofty holy goddesses leading people to pursue truth,goodness and beauty.Their characteristics endowed by the author are bright reflection of their times,which not only records the author’s journey of the mind,but also shows us the history of China in the first half of the 20th century as well as tells us about the course of Chinese modern women’s struggle for liberation.Through the praise and worship the author shows for women,he makes the female image idealized,aestheticzed and sanctified as a unique way to reform the society and realize the “human happiness”.