摘要
本雅明研究资本主义现代性一书《巴黎,19世纪的首都》通过对文化幻象的分析揭示了资本主义生产过程的变迁,提出了现代性的"恶之花"——即是现代生活导致人们体验方式的转变。本文论述了《巴黎,19世纪的首都》的主要学术思想,并结合书中抒情诗人的诗歌立场引出对建筑师面对现代性体验的三种立场(迎合,批判性的介入,抵抗)的进一步分析。
The book written by Walter Benjamin—Paris,the capital of 19th century does a research on cultural illusion of capitalist,and discloses the process of capitalist production. What is more,it shows up the"evil flower"of modern life,which is changing the way of people's life experience.This paper discusses the main academic thought in the book,and combining three standpoints of the lyric poets,it analyzes the corresponding attitude of architect to the experience of modernity:catering for the commercial community,critical intervention and standing against.
出处
《室内设计》
2011年第2期60-64,共5页
Interior Design
关键词
本雅明
现代性
巴黎
Walter Benjamin
Modernity
Paris