体物与精微——中国美学思想中的另一种景观

Experience and Subtle—The Another Landscape of Chinese Aesthetics Thought

"体物"与"精微"是中国美学中有别于意境、神韵的另一种重要观念。所谓"体物"指作者以细致生动的笔法,刻画事物形象,表现对象的客观化特征,并呈现出在变化过程中的生命感。体物之工,在于精微。所谓"精微",并非仅指刻画细腻,曲写毫芥,更在于作者以自然之笔触,呈现所写事物的独特形态。自陆机、刘勰至朱弁、叶梦得再至谢榛、王夫之皆有关于体物与精微的精辟论述。学界应该进一步关注"体物"和"精微"观念的美学研究。

Ti-wu and Jing-wei are another kind of important concept which is different from artistic conception and verve in Chinese aesthetics. This concept means that the artist describes an image in an exquisite and vivid technique in order to show the readers the object features and its changing lives. The exquisiteness of Tiwu consists in Jing-wei which doesn＇t only refer to dedicate and detailed description but more to the writer＇s natural style of writing display the distinctive shape portrayed Lots of theorists in Chinese aesthetic history such as LU-Ji, LIU-Xie, ZHU-Bian and WANG-Fuzhi had brilliant exposition. The academic circle of aesthetics should make further focus on Ti-wu; Jing-wei