生命不可承受之选择——《爵士乐》和《吃盐者》中身份构建之对比研究被引量：2

The Unbearable Choice of Being:A Comparative Study of Identity Constructions in Jazz and The Salt Eaters

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摘要莫里森的《爵士乐》和班芭拉的《吃盐者》中截然不同的文化视角为20世纪末的美国黑人群体提供了两种可选的社会政治范式。在探讨个体身份构建的途径、剖析过去展望未来的过程中,莫里森呼吁她的人民从过去身份的牢笼中解放出来,参与到无限的选择中去;班芭拉则认为背负历史的重任,在集体创造的过程中构建自我才是惟一的选择。 The distinctive visions in Toni Morrison＇s Jazz and Tony Kade Bambara＇s The Salt Eaters constitute alternate sociopolitical paradigms of the African American community in the final decades of the 20th century.By questioning the ways of identity construction and exploring the past and looking forward to the future,Morrison wants her people to liberate themselves from the bonds of the past and participate in unlimited choices,while Bambara believes that the only choice is to bear the burden of histroy,and construct one＇s identity in the process of collective creation.

作者刘晓露

机构地区长沙学院外语系

出处《外国语文》 CSSCI 北大核心 2011年第2期18-21,共4页 Foreign Languages and Literature

基金长沙学院科研基金一般项目<身份建构与人性救赎--20世纪后期美国黑人女性小说研究> 项目编号CD-JJ-10020205

关键词莫里森《爵士乐》班芭拉《吃盐者》选择身份构建 Morrison Jazz Bambara The Salt Eaters choice identity construction

分类号 I712.074 [文学—其他各国文学]

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